For me, audio engineering isn’t a service you 'hire.' It’s a collaboration. I only work on projects I genuinely connect with, because I want to give 100% of my focus, creativity, and care for each project.

I’ve heard too many horror stories from musicians who have had bad experiences with live sound engineers, especially female artists. Performing already comes with enough vulnerability, you shouldn’t have to fight the sound tech to be taken seriously.

As someone who identifies as non-binary and as a feminist, I find it very important for you to feel safe, to allow yourself to be vulnerable and to not be scared to ask for just a tad more vocals on your monitor mix. Your focus should be on performing. I will handle the rest.

The first time you book me for live sound, I offer the first show for free, no strings attached. A good connection matters, and I’d rather not let that discovery be hindered by financial risk. After that, we decide together whether it feels right to continue.

Up for a coffee? Tell me about your next project and what it means to you. From there, we’ll decide together which studio or other environment best serves the story you want to tell. If I feel another engineer could serve your vision better, I’ll be transparent about that and I’ll happily point you in the right direction.

What matters most is that you feel safe and comfortable enough to dig deep and truly connect with the meaning of your song. I’ve written a research paper on this very subject, for which I interviewed recording engineers who have worked with artists like Lizzy McAlpine, Paris Paloma, Ariana Grande, MARO, and many more, exploring how they approach sessions and what is necessary to create the best possible recording.